Sheila also did collaborative printing with Rauschenberg, Frankenthaler, Motherwell, Arakawa, Segal, Wegman, Shields, and many others. In 1990 she was honored with a 25 year master printers show at Rutgers Zimmerli Art Museum in fine art lithographs new brunswick, new jersey. in january 1994, assisted by artist friends, sheila developed a new monoprinting process utilizing the silk screen medium, yet enabling the artist to work directly on the silk using almost all of the drawing tools they are used to using on paper. art on the net is a collective of artists helping each other to come up on the internet and share their works on the world wide web. artists create and maintain studios and rooms in the gallery where they show their works and share about themselves.

do not store or display works of art in areas of potentially high humidity or water leakage, e.g. basement, bathroom, outside walls, under pipes. avoid areas where temperature and humidity fluctuate, or where there is inadequate air circulation, e.g. attic and places listed above. do not hang artworks over or under radiators, heating and cooling vents, active art fireplaces, humidifiers, and vaporizersa. the hygroscopic nature of wood means that it will take water from the atmosphere and expand, but lithographs it will contract as the horses in fine art humidity lessens. the direction of shrinkage is almost always around the circumference, which causes a solid piece of art wood to crack vertically. keeping it in a steady relative humidity can stabilize the sculpture; if the wood does not absorb or release moisture, it will no longer expand or contract.

how can i protect my works on paper from light damage? even though your artwork may be framed under uv filtering acrylic sheeting, the intensity of the light and duration of exposure is a concern. try to avoid direct and excessive daylight. close window curtains or drape the artwork when possible. windows can also be covered with a film or a screen that will lower light intensity and ultraviolet rays. if possible take down the artwork lithographs periodically and exchange it with another piece, allowing the work to "rest" in storage. the most light-sensitive materials include watercolors and gouache, modern color inks, pastels, fine newsprint and all color papers. it is important to remember that light damage is cumulative and irreversible.. art my solid wood sculpture lithographs is cracking in the vertical direction. what can i do?q. i have an outdoor bronze sculpture. how should i take care of it?